Queen of Babble in the Big City (Queen of Babble #2) Page 5

  “Oh.” I blink a few times. I hadn’t known that. Shari had never said a word.

  But if she’d only been moving in with me out of pity, why had she reacted the way she did when I’d told her about Luke’s offer?

  “Anyway, I was thinking we could go out to celebrate,” Luke was going on. “The four of us. Not tonight, obviously, because you picked up steaks. But maybe tomorrow night. There’s this fantastic Thai place downtown I know you’re going to love—”

  “We need to talk,” I hear myself saying. Whoa. Where did that come from?

  Luke looks surprised, but not offended or anything. He sinks down onto his mother’s white couch—I am so not sitting there with food or drink in my hands—and looks up at me with a grin.

  “Sure,” he says. “Of course. I mean, there’s a lot of stuff we need to figure out. Like where you’re going to put all your clothes.” His grin gets broader. “I gather from Chaz that your collection of vintage wear is somewhat impressive.”

  Except it isn’t my clothes I’m worried about. It’s my heart.

  “If I’m going to live with you,” I say, moving to sit on the arm of the couch…there’s less chance of catastrophic results if a spill occurs there. Plus, I’m far enough away from him that he can’t distract me with his manliness. “I want to split the cost—utilities, groceries, all of that—fifty-fifty. You know. So it’s fair. To both of us.”

  Luke isn’t grinning now. He’s sipping his wine and shrugging. “Sure,” he says. “Whatever you want.”

  “And,” I say, “I want to pay rent.”

  He looks at me oddly. “Lizzie. There’s no rent to pay. My mother owns this place.”

  “I know,” I say. “I mean I want to pay something toward the mortgage.”

  Luke’s grinning again. “Lizzie. There’s no mortgage. She paid cash for the place.”

  Wow. This is way harder than I thought it would be.

  “Well,” I say. “I have to pay something. I mean, I can’t just sponge off you for free. That’s not fair. And if I’m paying to live here, then I get some say in what goes on with the place. Right?”

  Now one of his dark eyebrows has slid up. “I see what you mean,” he says. “And are you planning on doing some redecorating?”

  Oh God. This is not going at all the way I’d hoped it would. Why did Chaz have to call him? I get accused all the time of having a big mouth. But if you ask me, guys gossip way more than girls do.

  “Not at all,” I say. “I love what your mother’s done to the place. But I’m going to have to move some stuff to make room.” I clear my throat. “For my sewing machine. And things like that.”

  Now both of Luke’s eyebrows are up. “Your sewing machine?”

  “Yes,” I say, a little defensively. “If I’m going to start my own business, I’m going to need my own space in here to do that. And I want to pay for that space. It’s only fair. What about…is there a monthly maintenance fee? You know, that the building charges for upkeep?”

  “Sure,” Luke says. “It’s thirty-five hundred dollars.”

  I nearly choke. It’s a good thing I’ve sat on the arm of the couch, or I’d have spat all over it, and not the parquet floor, which is the recipient of a mouthful of red wine.

  “Thirty-five hundred dollars?” I cry, jumping up and hastening to the kitchen for a dish towel. “A month? Just for maintenance? I can’t afford that!”

  Luke is laughing now. “How about a portion of it, then,” he says, as he watches me clean up my mess. “A thousand a month?”

  “Deal,” I say, relieved. Although only slightly, since I have no idea how I’m even going to come up with a thousand dollars a month.

  “Fine,” Luke says. “Now that we’ve got that settled—”

  “We don’t,” I say. “Have it settled, I mean.”

  “We don’t?” He doesn’t look alarmed, though. He looks more amused. “We’ve covered groceries, utilities, your need for space for your sewing machine, and rent. What more is there?”

  “Well,” I say. “Us.”

  “Us.” He isn’t running like a frightened woodland creature. Yet. He simply looks mildly curious. “What about us?”

  “If I move in,” I say, summoning all my courage, “it would only be on a trial basis. To see how it works out. Because, you know, we’ve only known each other for two months. What if it turns out, I don’t know. In the winter I become a real crab or something?”

  Both of Luke’s eyebrows go up again. “Do you?”

  “I don’t know,” I say. “I mean, I don’t think so. But there was this girl, Brianna, from our floor in McCracken Hall? And she used to turn into a total psychopath when it got cold outside. Not that she was particularly stable when it was warm out. But she got way worse when it was cold. So, you know. I think we should reserve the right to call off the whole living-together thing if one or the other of us feels like it isn’t working out. And since it’s your mother’s apartment, I’ll be the one who moves out. But you have to give me thirty days to find a new place before you change the locks. That’s only fair.”

  Luke is still grinning. But now the grin is slightly whimsical.

  “You’re very concerned,” he says, “about fairness, aren’t you?”

  “Well,” I say, feeling slightly deflated that this is his only response to my long speech. “I guess I am. I mean, there’s so little justice in the world. Young mothers get killed by hit-and-run drivers, and people’s skeletons turn up in backyards, and—”

  Now Luke’s frowning. And reaching for me.

  “I have no idea what you’re talking about,” he says, pulling me down onto his lap. Fortunately, I’ve put down my wineglass. “But I’m awfully glad we’ve had this little chat. Is it over?”

  I quickly run through all the things I’d hoped to cover with him. Splitting the rent and utilities, making room for my sewing machine, and a Get Out of Jail Free card in case either of us (him more than me, since I didn’t plan on going anywhere) needed it. Yes. Done.

  I nod. “It’s over.”

  “Good,” Luke says, and bends me back against the couch. “Now how do you get this thing off?”

  Lizzie Nichols’s Wedding Gown Guide

  Pear-shaped girls, don’t despair! True, according to the band Queen, fat-bottomed girls make the rockin’ world go round. But often, we can’t find a thing to wear!

  Pear-shaped girls are in luck when it comes to wedding gowns, however. The A-line cut flatters by drawing attention away from the lower half of the body, and up toward the bustline.

  This can be emphasized even more by going with an off-the-shoulder or deeply V’ed neckline, but stay away from halter-neck gowns and full or pleated skirts, as these looks can add bulk to the hips. The bias or straight-cut look is deadly to any pear-shaped bride…they cling to exactly what you’re trying to draw attention away from!

  LIZZIE NICHOLS DESIGNS™

  Chapter 6

  Three may keep a secret, if two of them are dead.

  —Benjamin Franklin (1706–1790), American inventor

  W edding Gown Restoration Specialists.

  That’s what the sign on the door says.

  Well, that’s certainly me. I mean, that’s what I do. Not just wedding gowns, of course. I can restore—or refurbish—just about any garment. But wedding gowns are where the real challenges lie. And where the money is, too, of course.

  Only I’m trying not to obsess about money. Even though it’s really hard not to obsess about something that you seem to need so much of just to exist in this town. I mean, I have seen what some of the other tenants of Luke’s mom’s building are wearing when they come down the elevator. I never saw so much Gucci and Louis Vuitton in my life.

  Not that you need Gucci and Louis to exist. But you need money—a lot of it—to lead anything like a normal life in Manhattan. If by normal you mean no splurges on cabs, movies, or lattes, and that you make your own breakfast, lunches, and dinners.

  And okay
, I can easily live without the latest monogram-canvas Louis Vuitton tote.

  But it seems kind of harsh that I can’t even pop into the nearby falafel place for a quick bite. Not that I am eating carbs, thanks to the size of my butt, or that there is a falafel place anywhere near the vicinity of the Met, which there most definitely is not, residences on Fifth Avenue being almost literally MILES from any affordable eateries and/or grocery stores. In fact, Fifth Avenue is like a wasteland, nothing but million-dollar apartments, museums, and the park.

  I actually envy Shari her walk-up with Chaz. Sure, there are no Renoirs in it, and the floors slope toward the windows, and there’s only a portable stand-up shower that leaks and the enamel on the claw-foot tub is so stained it looks as if someone might have been murdered in it.

  But there’s a totally cheap sushi place right across the street! And a bar with dollar Bud Lights at happy hour like two steps from their stoop! And a grocery store half a block away that delivers…for FREE!

  I know I shouldn’t complain. I mean, I have a doorman. AND a guy who runs the elevator. And a view of the Metropolitan Museum of Art, and Luke’s mother’s windows are all double-paned, so you can’t even hear all the horns and sirens on Fifth Avenue.

  And I’m only paying a thousand dollars a month for it. Plus utilities.

  But I’d give it all up in a minute if I could just have a freaking caffè misto every now and then and not feel racked with guilt about it.

  Which is what brings me to Monsieur Henri’s, not four blocks from Mrs. de Villiers’s pied-à-terre. It’s one of Manhattan’s premier wedding-gown restoration and preservation hot spots. Anybody who is anybody has Monsieur Henri restore, refurbish, and preserve her wedding gown. At least according to Mrs. Erickson from 5B, whom I met in the laundry room last night (the plumbing in Mrs. de Villiers’s building is too old to allow each apartment to have its own individual washer and dryer, and the cost of renovating would raise the maintenance fees even higher). Anyway, she told me that adding half a cup of vinegar to the rinse cycle saves you from having to spend extra money on fabric softener. And she should know. I mean, she had on a cocktail ring with a diamond about as big as a golf ball. She said she was only doing her own laundry because she’d had to fire her maid due to drunkenness, and the service hadn’t found her a new one yet.

  So when I ring the bell to Monsieur Henri’s place, I am fairly confident that for once, I won’t be completely wasting my time. Mrs. Erickson had looked to me as if she’d know about wedding-gown restorers—the angle I am now pursuing, since the whole costume-restoration and vintage thing wasn’t working out. I have, in the past two weeks, been to every vintage clothing store in the five boroughs…none of which was hiring.

  Or so the managers claimed. Several saw my college degree on my résumé, and said I was overqualified. Only one of them was interested in looking at my portfolio of refurbished vintage clothes, and when he was through, he said, “This might impress people back in Minnesota, but around here our customers are a little more sophisticated. Suzy Perette just doesn’t cut it.”

  “Michigan,” I corrected him. “I’m from Michigan.”

  “Whatever,” the manager said, rolling his eyes.

  Seriously? I had no idea people could be so mean. Especially people in the vintage-clothing community. I mean, back home, thrifters are very supportive of and caring for one another, and it’s about quality and originality—not the label. Here, in the words of one of the store managers I met, “If it’s not Chanel, no one cares.”

  Wrong! So wrong!

  And, in the words of Mrs. Erickson, “What do you want to work in one of those filthy shops for, anyway? Believe me, I know. My friend Esther volunteers at a thrift shop for Sloan-Kettering. She says the catfights over a simple Pucci scarf are not to be believed. Go see Monsieur Henri. He’ll set you straight.”

  Luke suggested that taking career advice from a woman I met in a basement laundry room wasn’t the soundest thing he’d ever heard of.

  But Luke has no idea just how desperate things have gotten. Because I haven’t told him. I am trying to appear sophisticated and full of savoir-faire where Luke is concerned. It’s true he was kind of shocked when all my boxes from home arrived, and we realized there was nowhere to put them. Fortunately, Luke’s mom’s apartment comes with its own lockable storage unit in the basement garage, where I’ve stashed all my bolts of material and most of my sewing supplies.

  The clothes, however, went straight to a portable hanging rack I bought at Bed Bath & Beyond and installed in the bedroom, under the Renoir girl’s disapproving gaze. Luke seemed kind of shocked when he saw it—“I had no idea anyone owned more clothes than my mother,” he said—but he recovered himself and even asked me to model some of the slinkier ensembles (as well as, for some reason, my Heidi outfit, which he seemed to get an enormous kick out of).

  But what Luke doesn’t know is that if something doesn’t give soon, that outfit, as well as the rest of the collection, are going up onto eBay. Because I am down to my last few hundred dollars.

  And though it will break my heart to have to sell the clothes I’ve been collecting for so many years, it would break my heart more to have to admit to Luke that I don’t have the money for next month’s rent.

  And while I know he’ll only laugh and say it’s all right and not to worry about it, I can’t help worrying about it. I don’t want to be his live-in mistress or whatever. I mean for one thing that is hardly an effective career path, as we know from Evita Perón. But also, I want to go shopping! I want to add new things to my collection so badly!

  Only I can’t. Because I’m broke.

  So Monsieur Henri is my only hope. Because if he doesn’t work out, I’m totally selling off the Suzy Perettes for sure, and maybe even the Gigi Youngs.

  Either that, or I’m signing up for a temp agency. I will fax and file for the rest of my life, so long as SOMEONE will hire me.

  But as soon as Monsieur Henri (or whoever the guy is who buzzes me in when I press on the bell to Monsieur Henri’s shop) ushers me into the waiting area of his shop, all smiles and graciousness—until I tell him I’m not getting married (yet), I’m there to ask about employment opportunities—I have a pretty good idea it’s going to be the temp agency for me.

  Because the middle-aged, mustached man’s face falls, and he demands, in a suspicious, heavily French-accented voice, “Who sent you? Was it Maurice?”

  I blink at him. “I have no idea who Maurice is,” I say, just as a tiny, birdlike Frenchwoman comes out of the back with a big smile plastered on her face…until I say the word “Maurice.”

  “You think she is a spy from Maurice?” the woman asks the man, in rapid French (which I now understand—well, mostly—on account of having spent a summer in that country, and a semester before that learning it in class).

  “She has to be,” the man replies in equally rapid French. “What else would she be doing here?”

  “No, honestly,” I cry. I know enough French to understand it, but not enough actually to speak it myself. “I don’t know anybody named Maurice. I’m here because I understand you’re the best wedding-gown restorer in town. And I want to be a wedding-gown restorer. Well, I mean, I am one. Here, look at my portfolio—”

  “What is she talking about?” Madame Henri (because that’s who she has to be, right?) asks her husband.

  “I have no idea,” he replies. But he takes my book, and begins thumbing through it.

  “That’s a Hubert de Givenchy gown I found in an attic,” I tell them, when they get to the page showing Bibi de Villiers’s wedding gown. “It had been used to wrap a hunting rifle, which had rusted all over it. I was able to get the rust stains out by soaking it overnight in cream of tartar. Then I handstitched repairs to the straps and hem—”

  “Why are you showing this to us?” Monsieur Henri demands, shoving my book back at me. Behind his head is a wall full of framed photographs of before-and-after shots of wedding gowns he’s res
tored. It’s pretty impressive. Some of them were so yellowed with age, they looked as if they’d fall apart at the merest touch.

  But Monsieur Henri had managed to get them back to their original snowy-whiteness. He either had a way with fabrics, or some kind of wicked chemicals in his back room.

  “Because,” I say slowly. “I just moved here to New York from Michigan, and I’m looking for a job—”

  “Maurice didn’t send you?” Monsieur Henri’s eyes are still narrowed suspiciously.

  “No,” I say. Really, what is going on here? “I don’t even know what you’re talking about.”

  Madame Henri—who has stood at her much taller husband’s side, peeking around his arm at my portfolio—gives me the once-over, her gaze taking in everything from my perky ponytail (Mrs. Erickson advised me to keep my hair out of my eyes), to the Joseph Ribkoff sheath dress I’m wearing beneath a vintage beaded cardigan (it’s gotten chillier outside since I arrived in New York. Summer isn’t quite gone, but fall is definitely in the air).

  “Jean, I believe her,” she says to her husband in French. “Look at her. Maurice would not send someone as stupid as she is to trick us.”

  I want to yell “Hey!” in an enraged voice and stomp out of their shop in a huff, since I perfectly understood that she’d just called me stupid.

  But on the other hand, I can see that Monsieur Henri has turned the page and is looking at the before-and-after shots I took of Luke’s cousin Vicky’s hideous self-designed wedding gown, which I managed to salvage into something semidecent (though in the end she chose the Givenchy I repaired instead). He actually seems interested.

  So instead I say, “I had to do all that by hand,” referring to the stitching on Vicky’s dress. “Because I was traveling at the time, and didn’t have my Singer.”

  “This is hand-done?” he asks, squinting at the photo, then reaching for a pair of bifocals tucked away in his shirt pocket.